Sunday, December 4, 2011

Documentation-Linen Under Dress / Smock


I have called this garment an under-dress or under-tunic but it is also referred to as a smock.  Generally, this smock is not seen except perhaps a small amount at the wrists, neckline and hemline.  The smock is un-dyed linen which would be off white or tan colored or is sun bleached to white.  The cutting pattern may have under arm gussets and side gores.  (Earlier Anglo-Saxon finds and later period finds such as in Greenland have evidence of both.) Fabric of this era was hand woven and the looms discovered would not have been able to weave cloth too wide.  Since the fabric was narrow, the gores and gussets could add extra fullness where needed such as for arm movement or leg room for walking, warmth, and bending over.  The weaving could have been fine and the threads close together but most smocks were not as fine of quality as outer layers as that would be a wasteful use of higher quality of fabric.  I suggest they were bleached because they would have gotten pretty dingy and stained in wearing.  There was probably decorative seam and hem stitching for strength and support but one would not have wasted precious time on embellishing a garment that wouldn’t be seen such as the side seams or gores.  I also imagine this piece of clothing would have been patched and repaired extensively as it would not be visible underneath and decorative stitching may have been used to pretty it up for hand me downs.
There is some discussion that the smocks were pleated based on the wrinkled nature of the finds and on some of the carved woman figures found.  Linen wrinkles very easy in wearing and may have also been slightly wrinkled while lying in the graves, wet bogs and harbors all those years.  There is no way to say for sure except the figures in some artwork appear to be wearing pleated under garments and trains and wrinkled bits of linen have been found in fabrics preserved under metal brooches and pins.  There is evidence for ‘slicks’ that would have been used to press linen during construction and perhaps for upkeep.  This could indicate that wrinkles would not be created by choice?
This layer could also be considered a slip and may have been the only underwear a woman in this era would have worn.  However there is nothing that suggests they did not have other underwear…there is just no evidence for it.  (Personally, I would have needed leggings or wraps to keep warm in the cold months.)
My recreation:
I used a medium weight European bleached ivory linen fabric with a thread count of approximately 22 threads per inch.   Even though my fabric was wider than would have been available then, I cut the pieces in rectangular shapes and used underarm gussets and gores to create fullness where I needed it.  I drafted my pattern pieces based on a cutting layout by……..  I used linen thread to COMPLETELY hand sew the garment and a combination of running and flat felling stitching to make sure the seams were secure and would not fray too easily.  Most of the seams have been sewn at least 3 times and 4 where topstitched.  I made a neck opening and faced the neck slit with a silk remnant so that the linen wouldn’t rub and irritate my neck and sewed a rolled hem finish on the neckline.  I also did rolled hems on the sleeves and main garment hem.   I have done some simple topstitching on the seams, hems and neckline.  The neck slit will be closed with a small decorative pin.
This smock may be a little fuller than I needed in the body but the sleeves are almost tight in places. The neckline seems to lay well and I like how the sleeves fit at the wrists and basically that is all that will show when wearing the complete outfit.  I raised my arms when trying it on and thought, “So that’s what underarm gussets are for!”   They worked perfectly to give my arms freedom to move…SUCCESS!   I have not enjoyed the feel of this linen as I worked on it.  I washed the fabric 3 times and ironed before cutting out but it still felt rough all the while I worked on it.  After making sure all seams were enclosed and secure, I washed the garment one more time.  The gore seams that overlap are very stiff and thick and I feel like I want to pound on them with a hammer to flatten them…

 

September 2011
I have resumed working on the white linen under dress next and will get some better photos of it…I hope?  My camera is having trouble showing the detail on the white color…  My eyes also have trouble seeing the white on white thread…


 

Documentation Resources

Resources:

Books

Thor Ewing,  Viking Clothing  Published 2007

Lilli Franson, Anna Norgaard, Else Ostergaard, Medieval Garments Reconstructed Published 2010

Gale R. Owen-Crocker, Dress in Anglo-Saxon England Published 2004

Judith H. Hofenk de Graaff, The Colorful Past-Origins, Chemistry, and Identification of Natural Dyestuffs Published 2004

Dominique Cardon, Natural Dyes-Sources, Tradition, Technology, and Science Published 2007

Edited by David Jenkins, Cambridge History of Western Textiles I and II Published 2003

Else Ostergaard, Woven from the Earth Published ??? (I forgot to write it down)

Cathy Chato, Terry A. Broberg-Swangin, Scandinavian Textiles, Complete Anachronist #64  
Published 1992


Frances Grew, Margrethe De Neergaard, Medieval Finds from Excavations in London: 2 Shoes and Patterns Published 2007

Olaf Groubitz, Stepping Through Time Archaeological Footwear from Prehistoric Times until 1800 Published 2007


Handouts and Web sources
Carolyn Priest-Dorman, A Quick and Dirty Look at Viking Women’s Garb in the Ninth and Tenth Centuries Last accessed 2006 http://www.cs.vassar.edu/~capriest/qdirtyvk.html

Carolyn Priest-Dorman, “But That’s How They Look in the Book!”: Viking Women’s Garb in Art and Archaeology Last accessed 2006 http://www.cs.vassar.edu/~capriest/roach.html 

Fru Isabel Ulfsdottir CW, 10th Century Danish Clothing Last accessed 2003 Link not working

Women’s Viking Age Clothing Last accessed 2005 Link not working

Cynthia Virtue aka Cynthia du Pre Argent, How to make a Coif: 1 and 3 piece patterns  http://www.virtue.to/articles/coif.html  Last accessed 2006

A.McVie, A.Nicholsom, G. Waidsom, Pouches: Recent Research for Regia Anglorum Last accessed 2011 http://gwerin.wordpress.com/2008/03/23/the-great-pouch-debate/


Regia Anglorum Members Handbook

Tuesday, November 1, 2011

Just wondering why...

...when cats have the availability to sleep on anything they want...including soft beds and pillows...that they chose to lay on whatever you are wanting to use???


And can this body language talk any clearer?

Sunday, October 30, 2011

Updates and stuff!

I have had an H of a time trying to update this blog for my October report...I have been working for a couple hours and it is soooooooo slow that I have decided to call it good for now.  I will add more photos as soon as I get a chance...my report is off tonight however.

Happy Halloween everyone!


I made this comment a week or so ago and for some reason I am signed in under a wierd thing?  So I am reprinting it in the body of the blog post...

Vigdis said:
Well, after cooking and washing dishes for an event recently, I decided apron panels would have been a very valuable piece of clothing. As I looked down at the soapy water splashed on the front of my apron dress, I realized that it would have been harder to have daily aprons that you messed up and had to wash and get ready for use quickly. Also since the garments were hand made and out of fiber that was difficult to wash, the more practical solution might have been to have the apron panel available to attach and hide the messiness underneath when needed.

I am also speculating that the panels may have been always in a state of embellishing to keep them looking at their best. A burial panel may have been highly decorated as it would have needed to cover the signs of wear and tear.

Sunday, October 16, 2011

A Word About Distractions!

Well a whole lot of stuff has kept me busy and away from my challenge entries...One of the main distractions was being the autocrat for our Harvest Feast.  It was a wonderful event and I hope everyone enjoyed it as much as I did.  It brought me a revelation however that I will share in the Apron Panel section.

The Queen held a pewter class which I attended and it got me interested in making trinkets to give out for future events.  It was an awesome!  And so are the King and Queen!

Here are some photos of the event...
Harvest thing in Sentinels' Keep 2011

Friday, September 9, 2011

GREAT NEWS: My Apprenticeship!

I have the honor and great fortune to have been given an apprenticeship belt by Dame Annys of Pengwyrn of the Barony of Sentinel's Keep at the Whipping Winds Event in August 2011.

Dame Annys has been an inspiration to me since I joined the SCA and I have always admired her talents and expertise in the Arts and Sciences.  I was thrilled when she became a Laurel so that when she asked me to be her apprentice, I was overwhelmed!

Since we began our arrangement, she has been an awesome source of help with my research, encouragement with my projects, and a very GENEROUS patron in this Challenge project... I am blessed!

Update:
My friend Ygrainne became an apprentice to HE Juliana at our Harvest event.  Juliana apprenticed my mistress Annys so in the family...Annys is my mom and Juliana my grandmother.  Juliana is Ygrainne's mom so she and Annys are sisters and Ygrainne is my aunt...clear???  Me either!  Maybe this photo will explain how complicated this can be...